Tuesday, September 13, 2011 Posted by Dina N
Life in Sofia, Bulgaria, in the late 1980s is bleak and controlled. The oppressive Communist regime bears down on all aspects of people's lives much like the granite sky overhead. In the crumbling old building that hosts the Sofia Music School for the Gifted, inflexible and unsentimental apparatchiks drill the students like soldiers — as if the music they are teaching did not have the power to set these young souls on fire.
Fifteen-year-old Konstantin is a brash, brilliant pianist of exceptional sensitivity, struggling toward adulthood in a society where honest expression often comes at a terrible cost. Confined to the Music School for most of each day and a good part of the night, Konstantin exults in his small rebellions — smoking, drinking, and mocking Party pomp and cant at every opportunity. Intelligent and arrogant, funny and despairing, compassionate and cruel, he is driven simultaneously by a desire to be the best and an almost irresistible urge to fail. His isolation, buttressed by the grim conventions of a loveless society, prevents him from getting close to the mercurial violin virtuoso Irina, but also from understanding himself.
Through it all, Konstantin plays the piano with inflamed passion: he is transported by unparalleled explorations of Chopin, Debussy, and Bach, even as he is cursed by his teachers' numbing efforts at mind control. Each challenging piano piece takes on a life of its own, engendering exquisite new revelations. A refuge from a reality Konstantin detests, the piano is also what tethers him to it. Yet if he can only truly master this grandest of instruments — as well as his own self-destructive urges — it might just secure his passage out of this broken country.
Nikolai Grozni — himself a native of Bulgaria and a world-class pianist in his youth — sets this electrifying portrait of adolescent longing and anxiety against a backdrop of tumultuous, historic world events. Hypnotic and headlong, Wunderkind gives us a stunningly urgent, acutely observed, and wonderfully tragicomic glimpse behind the Iron Curtain at the very end of the Cold War, reminding us of the sometimes life-saving grace of great music.
Wunderkind is the story of Konstantin, an exceptionally talented teenage pianist living behind the Iron Curtain in the late 80s. Born and raised in totalitarian Bulgaria, Konstantin comes of age during the two years preceding the fall of the Berlin Wall.
The life of a wunderkind in Soviet-era Bulgaria is not for the weak. Conform or perish, seek shelter in your music or be crushed are the only options available to Konstantin and the other young musicians at the Sofia Music School for the Gifted. Their talent is simultaneously an escape and a curse. Unable to reconcile the magical world of music with the suffocating, senseless rules of his daily life and the reality of a regime that crushes any individuality, Konstantin takes a path of rebellion and self-destruction. He is a tragic figure torn between the supreme emotional pull of his music and the desire to defy everyone and everything around him.
Mr. Grozni has a remarkably vivid way of putting music into words. He contrasts its mesmerizing beauty with the ugliness of a world of futility, senselessness and desperation. Wunderkind offers a surreal glimpse into both.
Disclaimer / Disclosure: I received a complimentary copy of the book with no obligation for a positive review. No compensation has been obtained for this post. Cover art and book description courtesy of the publisher or PR firm.